Picturing Pinocchio: Mignola Makes a Marionette
March 22 - October 21
Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineere
The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.
Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end. This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?
This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.